It's not every day that you can meet an acclaimed artist at a exhibition opening for free. Thanks to Durham's North Carolina Central University, Durham visitors and residents can do exactly that.
North Carolina Central University Art Museum will host the first major retrospective exhibit of draftsman, illustrator and painter Tyrone Geter from March 24 through April 19. An opening reception with Geter will be held on Sunday, March 24 at 2 p.m. Admission to the reception and the museum is free.
North Carolina Central University Art Museum will host the first major retrospective exhibit of draftsman, illustrator and painter Tyrone Geter from March 24 through April 19. An opening reception with Geter will be held on Sunday, March 24 at 2 p.m. Admission to the reception and the museum is free.
A
recipient of the Duncanson Artist-in-Residence award sponsored by the Taft
Museum in Cincinnati, Geter is one of the best draftsmen — an artist skilled in
drawing — on the contemporary scene. The 45 works in the NCCU exhibit are
steeped in the African genre, personal memory and visual metaphors and include
Geter’s most important drawings, collages, paintings, installation pieces and
ceramic sculptures.
A grant
from the Arts and Humanities Council of Boston enabled Geter, in 1979, to spend
seven years in Zaria, Nigeria. The result was the production of large-scale
drawings that are among the highlights featured in the exhibition: his bold charcoal drawing of “Spirits No. 4 (Ancestors),”
“Women Being What They Are,” “Shadow People” and “Water! Water! Always Water!”
In the early 2000s Geter’s
work expanded to include studies in motion, mixed media and three-dimensional
collages that are centered on powerful human portraits reflecting their
African-American heritage. In “Enough,” each head is rendered in charcoal while
the remainder of the bodies is composed of cloth. This combination of drawing
and the tactile nature of applying fabric and torn paper introduce a novel mode
of expression that enables the viewer to perceive the surface quality in both
physical and visual terms.
Having painted several murals
and completed one for the National Underground Railroad begun by the late Tom
Feelings, Geter’s sense of scale was heightened in “Threshold,” prominently displayed
on a back wall in the museum, and in “Jubilation at the Gates” and “Playtime
With My Father.” His application of paint in an abstract manner to simulate
skies pushed him to consider color field techniques in these pieces
Also present in the exhibition
is Geter’s “Contender” series, which examines the economic
disfranchisement and unrealized potential of marginalized African-Americans.
Inherent in “Backache: My Back was your Back; I Guarded it with my Life” is the
relationship between daughters, mothers and grandmothers whose personal and
public sacrifices made it possible for their progeny to advance.
More recently, Geter has
created a series of abstracted, ceramic sculptures that are sometimes glazed,
but have the head as a focal point. The fabrication process was remarkably
labor-intensive, involving subtle juxtapositions and layers of glazed color.
The show also includes large-scale installation pieces such as his 2013 “Father
of Our Father.”
Geter’s work has been
exhibited throughout the United States, and in Nigeria, Senegal, Japan and
China. He has received numerous awards, including first place in the Moja Arts
Festival in Charleston, S.C., and first place in the Butler Institute of
American Art in Youngstown, Ohio.
An
artist who draws upon oral narrative tradition and music for inspiration, Geter
has illustrated 10 children’s books. He earned a bachelor’s degree in 1973 and
an MFA in 1975 from Ohio University. He
is currently professor and director of the Ponder Gallery of Art at Benedict
College in Columbia, S.C.
The
NCCU Art Museum is open Tuesday through Friday from 9 a.m. to 4:30 p.m. and
Sundays from 2 to 5 p.m. Admission is free. For more information, call the
museum at 919-530-6211.
For more information on Durham's art scene, look online.
For more information on Durham's art scene, look online.
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